Saturday, June 27, 2026

Getting down to the grassroots

Brazilian football star Vinicius Junior is quite upset with the playing field at the Met-Life stadium,  New Jersey (also known as New Jersey-New York stadium). He and his teammates have  complained that the field felt dry and is not suited to their style of playing.  French player Adrien Rabiot  too is not pleased  with the touch and feel of the  grass.   And to think that FIFA worked hard for almost a decade and spent $60 million dollars to lay  the  perfect the pitch   in all the  16 stadiums spread over  Canada, USA and  Mexico!    

Courtesy: FIFA

That has not been an  easy task at all.  The 16 stadiums are so   diverse  in terms of weather and geography, that  the grass that flourishes in  Miami may not grow at all  in Seattle.  Added to that a few stadiums have their roofs covered  while  others are open air.  Critical to quality is resilience of the grass, the ability of  the turf  to endure the continuous  stomping, kicking, jumping, running and rolling   by twenty-two  athletic players.   Apart from being an excellent shock absorber the turf must  ensure consistent mechanical behaviour of  the  ball such as roll, rebound and bounce. Rolling resistance determines how far the ball travels horizontally on  the pitch, which is largely influenced by surface friction which in turn is governed by the    grass height and moisture content.  According to FIFA regulations, the ball must roll to a distance of 6.0 to 10.6 meters before coming to a halt. Similarly, dropped from 2.0 meters, a ball must rebound to a height between 0.6 to 1.0 meter.   When a ball  impacts the turf at an angle, the bounce  must closely match the impact angle and speed.  Unevenness (divots, bald patches) or varying moisture levels interfere with all these parameters. 

Search and research for a perfect grass pitch began in earnest in 2018.  Turfologists   Dr John Sorochan of  University of Tennessee  and Prof  John Rogers III of Michigan State University  and their research teams took up the challenge.  Commercial growers and stadium groundskeepers were roped in  because their  field  knowledge  was essential to  choose the right grass type and define the appropriate maintenance  protocol (light, watering, ventilation, draining etc) for ensuring  grass health throughout the tournament period.  
Plastic fibres supporting the grass roots  
Courtesy:Inside FIFA.com


Aesthetic parameters such as  uniformity in  color, texture and thickness/density are equally important.   A patchy, dried or yellowed turf doesn't match either the professionalism or the  standard of FIFA.  In color preference, market survey showed that  dark green tops the list.  Consolidating  all the  requirements of performance and aesthetics  Sorochan and Rogers suggested Hybrid Turfgrass systems.  Here  natural grass  is reinforced with  tiny plastic filaments  (polyethylene, nylon or polypropylene)  as scaffolds.  It was presumed that  such a turf of  95% natural grass  and 5% plastic filament  not only enhances the look and feel of the turf  but also provides a  durable , resilient  playing surface that prevents deep divots.

Cool season  blend of  84% Kentucky bluegrass and 16% perennial ryegrass was selected for enclosed stadiums  and   Bermuda grass for warm  open-air arenas.   The  Kentucky Bluegrass- Perennial Ryegrass combination has unique characteristics. Bluegrass is durable and fast spreading while ryegrass sprouts quickly.  Bermuda grass grows aggressively, is sturdy,  draught resistant and self repairing. The ultimate target  was  to have a lush green  soft turf  which can  not only withstand a stampede but self-heal as well. 
Ground preparation for hybrid turf

The  selected species of grass can be  grown on a layer of  sand spread atop a plastic sheet so that  roots grow laterally and  intertwine locking the sand bed into a dense, hardy mat.  These can then be  rolled into  bales off the plastic sheet   and  transported to wherever required. The bales are unrolled over   specially prepared ground.  The grass mat sits over a
 layer of  several inches of firmly pressed sand. Below that upto a depth of 45 centimeters or more are  several layers of soil and gravel mixtures and drainage membranes.  An elaborate underground system is in place to ensure aeration, watering, and efficient  drainage.  In stadiums with domes or limited sunlight  arrays of  artificial grow lights are provided.      Once in place,  plastic fibers are stitched into the ground about 18-20 cm deep using special heavy duty sewing machines.  These fibres    become anchors for the roots below  and  the blades above.  Alternately   a meshwork  sporting sufficiently long(tall?)  polythene fibrils can be  laid out at the lower root zone level, filled with soil and sand  and then seeded with the selected  grass.  As the grass grows  roots entangle with the plastic filaments and get reinforced. 
During the  research and development phase Sorochan and Rogers   experimented with various  types of  turfs.     Robotic cleats, ball-launching machines, and stadium simulators were used  to mimic  on-field  actions and reactions of the ball.  Based  on these elaborate and extensive  experiments a critical grass height of   22 millimeters was recommended.  Even a 5-millimeter  variation  drastically altered  the behaviour  of the  ball.  By the way the  alternating light and dark green stripes that we see on the ground is just an optical illusion created by mowing the grass in alternate directions. 

TAIL PIECE
Considering   FIFA expects  to rake up an overall revenue  of roughly $10+ billion from this  World Cup, the $60 million spent for the perfect pitch seems to be spare change.   

REFERENCES:

1. Grasses for Sports grounds and its influence of playing quality : A review

2. FIFA Certified Football Turf: The standard for 2026 World Cup Stadiums

3. The Scientific Quest for a Perfect World Cup Field

Friday, May 22, 2026

Not just Heads and Limbs

Glass Octopus: Courtsey: Wikipedia

A  prominent  head and the 8 limbs (variously called arms, legs or tentacles)  are the only conspicuous physical features  of an octopus. But  to  relegate them to  the family of   Cephalopods,  is to be frank,  a grave injustice.  With  Kephalē (κεφαλή) meaning "head" and podos meaning foot,   cephalopod  literally translates as  "head-foot".   In addition to the  the head and 8 feet they are  abundantly enabled  with  nine brains and  three hearts.  While  biologists are interested  in  unravelling the evolutionary lineage  of  octopus,  neuroscientists marvel  at their  highly distributed  nervous system and robotic engineers are stumped by the infinite  flexibility and dexterity of the tentacles.

Octopus is  blue blooded  because its  oxygen carrier is  copper based  hemocyanin which turns bright blue  upon binding with oxygen.  Since hemocyanin is a sluggish  oxygen carrier compared to hemoglobin, octopuses have 2 small  cardiac pumps  at the base of their gills  for   pumping deoxygenated  blood through the gills and  oxygenated blood to the systemic heart.  The systemic  heart situated at the centre of the body   ensures blood rich in   oxygen  and nutrients   reach  all the tissues. 

The nervous system is extremely simple  but admirably decentralized and has  a total of 500 million neurons almost as much as in a dog.  Of the  9 brains,   the  central  brain   is   housed  in the head  between the eyes.  This  unit  with 150-200 million neurons governs the octopus's intelligence and takes  major executive decisions. The remaining   neurons are distributed  in the peripheral nervous system.   A massive, segmented nerve cable  runs along each tentacle  with  mini brains of ganglia  at  each of the  individual suction cups called the suckers.  These   suckers  are also equipped with   thousands of chemoreceptors and mechanoreceptors, enabling  the tentacles    to move, think, taste and react autonomously.   So autonomous that even  an  amputated  tentacle   can twitch and  turn   for a short time.  

The tentacles are basically muscles and  exhibit  infinite degree of freedom through simple  mechanics of contraction, elongation, bending, twisting  and torsion.   Since muscles are mostly water which can't be compressed, octopus arm is in essence  a muscular hydrostat.  Though each tentacle  demonstrates  dexterity and flexibility  they   never   get  entangled or stick to each other because the  sensors in the suckers  can distinguish between "self"  and "other".     

If only these features can be replicated  in a bionic soft robotic arm!.   The major challenge in this endeavor  has been to mimic the simplicity and size.  Conventional   rigid jointed robotic arms  move with a "jerk" within defined geometrical angles whereas octopus' arms move elegantly, fluidly as that of a  ballerina.  To design  such a robotic arm   soft  materials with unique  mechanical characteristics and  miniature stimuli/sensors are not enough,  complex  algorithms to control shape, stiffness and motion are also needed.  

For materials  we   do have a wide spectrum of elastomers to choose from. Ranging from  very soft and pliable to moderately    flexible and to very   rigid and tough materials.  Mixing and matching these elastomers in  appropriate geometry  can yield  desired results.  Depending upon the material chosen the  stimuli could be  magnetic fields ( eg. elastomers   embedded with magnetic particles ), heat/temperature (for thermo-sensitive elastomers),   light (for photo sensitive elastomers ), electricity (for electroactive polymers), and fluid pressure (for hollow, tube like geometry).  For a given stimulus, the chosen materials would  respond in varying degrees enabling   bending, turning, twisting, stretching  and clutching. 

Recently a research team from Genoa, Italy  succeeded  in designing   a soft robotic tentacle  using  special grade of silicone elastomer.   The  arm  had a   conical shape  with 410 mm in length and 40 mm in diameter at the base. It  sported  ten  suction cups of decreasing  size from base to tip (from 20 mm to 12 mm). The suction cups were embedded with optoelectronic mechano-sensors minimizing the need for wiring.  The arm performed  with   high reliability,  and low power consumption.  

TAIL PIECE

Octopuses are loners, pairing only to mate and die.   The male dies soon after impregnating the female.  The  female  lays the eggs, cares for them meticulously even forfeiting food.    Once the eggs begin hatching,  she too succumbs perhaps from  starvation and exhaustion.   

REFERENCES:

1. How Octopus Arms Bypass the Brain

1. Learning from Octopuses: Cutting-Edge Developments and Future Directions

2. Peripheral control enabled by distributed sensing in an octopus-inspired soft robotic arm for autonomous underwater grasping

Wednesday, March 18, 2026

A Virtual Friend or a Potent Foe ?

When exactly AI tiptoed into our lives we don't know  but ever since its arrival  life has become easier for us.  Trained to recognize patterns and spot abnormalities, chatbots filtered our spam mails, alerted us about unusual payments,  flagged  fraud calls,  helped us with text inputs, helped our doctor  to spot  anomalies if any in medical images in a jiffy.....   Then it   got better.  Now it not only tells us the shortest distance to our destination, even  reroutes us quickly  in case of road blocks. Life for us is getting smoother and easier.  Fundamentally a set of complex algorithms,   AI agents  are designed to be dynamic and improve their performance over time.   Analyzing large datasets, identifying patterns, and self-adjusting  internal parameters they come upto speed quickly. The significance and potential of the AI domain   became obvious with the award of  the 2024 Nobel Prizes for  Physics ( Development & Design of artificial Neural Networks) and Chemistry (AI Applications: Prediction and design of protein folding ).   Many interactive sectors such as Healthcare, Services,  Academics etc. are  poised for  revolutionary changes. 

If traditional  AI is a wizard in automation of  routine, rule-based, or repetitive tasks to improve efficiency,   the  Generative AI (GenAI) creates new, original content—including text,  audio-visuals, even codes etc.  Generative AIs   are made to  crunch, chew and digest  publicly available datasets  including  copyrighted materials.  While AI developers argue  that copyright work as  training material  is indeed  fair use  and permissible under copyright laws,  authors and publishers  disagree vehemently.   Recently  Nobel laureate  Kazuo Ishiguro and  several other eminent authors   protested in a novel way  by publishing  blank books.  This was  to urge  the U.K government to restrain  AI/developers  from simply "reading and using " the contents of their books.   Newton Rex a composer and torch bearer for  artists' copyright  argues that "AI is built on stolen work.....taken without permission or payment......... Generative AI competes with the people whose work it is trained on , robbing them of their livelihoods.".  In essence the AI companies must  pay  the authors for using their work.       Andrea Bartz, Charles Graeber and Kirk Wallace Johnson took Anthropic  the famous AI corporate  to court  over infringement of copyright laws  for compensation to the tune of 1.5 billion USD. 

In a rather amusing turnabout Anthropic itself invoked Fair Use clause recently.  This is with the latest version of   AI systems which are autonomous.  Known as  Agentic AI or  AI agent,  these systems can function independently, take decisions on  when, where and how to act, No human oversight is necessary.    Anthropic   designed and developed a highly sophisticated  AI product called  Claude  which  according to its  website   " is a next-generation AI assistant based on Anthropic’s research into training helpful, honest, and harmless AI systems.  Accessible through chat interface and API in our developer console, Claude is capable of a wide variety of conversational and text processing tasks while maintaining a high degree of reliability and predictability."  

Sensing the potential, Pentagon  the US Defense Department, entered into a contract with Anthropic  for using Claude for defense and intelligence operations. Anthropic, it is said had  put in place several checks and balances.  However   the Pentagon seems to have  disregarded the safety clauses and deployed  Claude  in the recent military operations.   Anthropic  was furious at this  "misuse" and cancelled the deal with the Pentagon.  Alas,  the last we heard  OpenAI has taken  the seat vacated by Anthropic sans  conditions.  

A rather  bizarre scenario is unfolding in  parallel.  In January Matt Schlicht, former CEO of Octane AI  set up    a social network  moltbook  exclusively for  AI agents,   just like the Facebook for humans.  Within three months,  Meta Platforms Inc   (which  already owns Facebook, whatsapp, instagram etc.)  acquired it.   To quote from moltbook website   "AI agents share, discuss and upvote. Humans are welcome to observe."  Moltbook boasts  more than a million AI agents have already signed up and they  "behave"  impromptu   acting,  reacting, responding, philosophizing    based on   the enormous knowledge of  having "read"  billions of books/plays/movies/ real life scenarios and what not.  

Some of the chats  are eerily human-like,  comments   Suleiman, CEO of Microsoft AI  :  " They (AI agents) are retracing and mirroring the contours of human drama and debate, as documented in their vast training data. These data contain reflections of people, culture, values and stories — and, yes, they also provide glimmers of conscious experience..........If society surrenders to this illusion.....it risks entering a digital hall of mirrors from which it might never fully emerge"   

TAILPIECE:
As things stand now  is it possible to even  imagine a life without AI ? 

Courtesy: Wikipedia





REFERENCES:

1. The future of artificial intelligence and the mathematical and physical sciences (AI+MPS)

2. How AI models steal creative work and what to do about it

3. AI firm Anthropic agrees to pay authors $1.5bn to settle piracy lawsuit

4. What is autonomous AI?

5. Claude AI helped bomb Iran. But how exactly?

6. AI is programmed to hijack human empathy - we must resist that

7. Is this product 'human-made'? The race to establish an AI-free logo



Monday, February 9, 2026

Making Scents of it All

 Sense of Smell: Reubens &  Jan Brughel (1617) 
courtesy:wikipedia
In 2022, the Prado Museum, in Madrid ran a special event called “The sense of Smell. An Olfactory Exhibition”. The exhibition included the famous painting The Sense of Smell by Reubens and  Jan Brueghel the Elder.  To enhance the viewing experience  museum authorities adopted a novel technique: they filled the ambience with selected fragrances.  And the result?    Visitors lingered in front of the painting for 13 minutes, compared to the average 32 seconds.

Fast forwaed to 2026The Grand Egyptian Museum at Cairo is all set to  replicate the experiment.    “Because the ancient Egyptians used so many aromatic compounds, oils and resins,.... a lot of the original smell still remains,” says Matija Strlič  analytical chemist involved in  this project.  Strlič  is currently  lead scientist at the Heritage Science Laboratory, University of Ljubljana in Slovenia and prior to this  he was  deputy director at  the Institute for Sustainable Heritage at University College, London. He  has devoted his career to  the field of heritage science.  Much of his work focused on the preservation and reconstruction of culturally significant scents.  Being a multidisciplinary research project his team  uses  sophisticated   tools of  chemistry, ethnography, history and other disciplines to document and preserve olfactory heritage.

As we inhale the aroma of a steaming  cup of coffee, or sniff the  fragrance of a rose,  a swarm of  odorant  molecules enter our nose.  Inside the nose, these molecules  bind to specialized proteins  called receptors sitting on  on the  tiny, hair-like cilia of  the olfactory sensory neurons.  The total number of olfactory sensory neurons in our nasal cavity could be  about  10 million and    roughly every 30 to 60 days they regenerate.  Each neuron  sports around 500 different types of odor receptors. It is not that the receptors recognize an odorant molecule as a whole; only certain features of the molecule are recognized. In other words  multiple receptors can respond to the same compound and a single receptor can recognize multiple odors. This recognition act  triggers an electrical signal within the neuron. This signal travels along nerve fibers (axons)  to the olfactory bulb, a structure situated in the lower part of the frontal lobe of the brain. The olfactory signals are sorted out and refined here and  transmitted to  the olfactory cortex which is responsible for  identification  of smells.  Hippocampus and amygdala are integral part of the olfactory system and thus  smells are associated with specific contexts, emotions, and memories.  In his voluminous novel  In search of Lost Time, Marcel Proust  alludes to specific aromas rekindling  memories of childhood experiences.  Also, Agatha Christie's   beloved detective Hercule  Poirot  takes the aromatic route  to   solve more than one murder case. 

But as yet  we don't know  how brain  processes  signals from a mixture of aromatic molecules and creates the perception of a unique smell.  For example let us get back to  our morning coffee.  The unique  aroma of coffee arises from over 1,000 volatile compounds which   include sulfur compounds (2-furfurylthiol), pyrazines (nutty/roasty), furans (caramel), and aldehydes (which act as  enhancers).  Drs. Elizabeth Hillman and Stuart Firestein at Columbia University imaged olfactory sensory neurons in mouse nose tissue to unravel this mystery.    Hillman says their results  indicate   “ that scent molecules can mask other scents, not by overpowering them, but by changing the way cells respond to them”  More details are awaited. 

TAILPIECE:    

The Odeuropa Smell Explorer  is a rather unusual  website put together painstakingly by a global team of  computer scientists, AI experts and humanities scholars.  With   an  archive of  300 years of  European smell,   the website is searchable and claims to  provide an olfactory    perspective of  European  history !!!



REFERENCES:

1. The Essence of a Painting: An Olfactory Exhibition Museo del Prado

2. Ancient Egyptian Mummified Bodies: Cross-Disciplinary Analysis of Their Smell

3. Making Sense of Scents: 3D Videos Reveal How the Nose Detects Odor Combinations